We’re sort of everywhere in a sprawling plot that verges on the ludicrous in which Salander suddenly finds herself in possession of a programme that controls the world’s nuclear weapons. The problem is that we’re not in Stockholm anymore, Toto. #Girl with the dragon tattoo motorbike series#Jumping ahead from the story of Larsson’s first book, director Fede Álvarez has chosen to adapt the fourth book in the series written by David Lagercrantz. It’s been seven years since we last saw Lisbeth Salander in an English language adaptation of Stieg Larsson’s Millenium trilogy. Unfortunately, this is the only scene in which Salander hurts a man who hurts a woman. Similar to the unforgettable tattooing scene in David Fincher’s The Girl With The Dragon Tattoo, in which Rooney Mara’s Salander takes justice into her own hands for the man who assaulted her, here Claire Foy’s Salander literally strings up a corrupt and abusive businessman before seizing his financial assets and physically and financially freeing his bloodied wife. The Girl In The Spider’s Web has a powerful opening scene. As her sister Camilla (Sylvia Hoeks) later describes her, she’s the woman who hurts men who hurt women. She’s the winged assassin who fights for what’s right. Lisbeth Salander stands before a winged statue, leather clad, her face smeared with white paint, her expression determined and resolute.
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